Conradin Stiffler

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Conradin is a trained architect, and like an architect he "builds" his paintings in layers. He begins by priming the canvas in a selected shade, as he himself says he does not like white canvases. Then he sketches the shapes according to a template, or the surface of an object that catches his eye. It can be a plant, an insect or the shell of a turtle. Already at this point the lines begin to develop a life of their own, which he lets guide him. His approach is quite reminiscent of the automatic line work of the Surrealists. He deliberately tries not to influence the process of creation of the forms, which ultimately remains clearly perceptible to the viewer. Originally rigid surfaces seem to be moved all at once - almost alive, in a certain turmoil.

The subsequent layers of paint are applied in a glazed manner. Conradin works on one layer for a good two to three days. Layer after layer follows, first in black and white, then in color. He may choose complementary colors and be surprised by the effect. It takes time until the picture appeals to him, until the colors shine in such a way that he is satisfied. It is as if he is purposefully searching for absolute perfection in the inconspicuous. Sometimes he puts the painting away for some time or hangs it on the wall to quibble with individual spots until he knows again how he wants to continue painting. He is definitely a perfectionist and works until the colors shimmer peculiarly between the lines and shadows. In this way he achieves an effect reminiscent of shiny silk but also of moist innards or mucous membranes. He does not deny the association with a vulva. The result is a peculiar contrast between austere coolness and very carnal sensuality.